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Garrett Murray lives here. He's the senior developer at Blue Flavor by day and an amateur writer and comedian by night. You can read more about him or
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This isn't my story, so I'm not supposed to be telling it:

When Ben was ten years old, a girl in his class pulled him into the bathroom in the middle of recess and tried to kiss him. Ben was more interested in kickball, so he refused. Nancy, the girl, said she wanted to show Ben her 'business', but Ben didn't want that either. Nancy didn't care, though, and she started disrobing right there in the bathroom.

Just as Nancy successfully disrobed, a teacher walked in and caught them. She took them to the Principal's office where that very same Principal called Ben's parents. When Ben's father, Dmitri, arrived twenty minutes later smelling of cigar smoke and speaking with a thick accent, he asked what the problem was. The Principal related that Nancy, scared and mistreated, had been forced to remove her clothing at Ben's demand.

"Is this true, Ben?" Dmitri asked.

"No, she did it on her own!" Ben cried. "I didn't make her!"

Dmitri clapped his hands and addressed the Principal politely: "You see? Ben was just in the right place at the right time!"

All names have been changed to protect the identities of those involved. Except Nancy. That dirty, dirty girl.


I would be remiss if I didn't take a moment to mention the marriage of Jason Kottke and Meg Hourihan. I feel as though a lot of people feel connected to these two in some way, and I include myself in that group, but that's not why I'm writing about it. I'm writing because, as a point of personal validation, this marriage finally resolves questions I had for over a year that no one else was asking and that I felt inappropriate to ask myself.

When I started reading Kottke.org, Jason was already dating Meg and I read about their story in the past-tense from his archives. Much like Dean Allen and Gail Armstrong, theirs is a story of the internet connecting two people who would likely never had met without it, and fell in love, you get it, thingsworkedout. But then, a while back, Jason and Meg seemed to be on the outs—Meg was living outside of NYC and Jason was still here and there was a long stretch where I could feel tension in their personal writing (is that even possible?), and I felt like I wanted to ask if they were still together. I don't know why it mattered to me, but it did. And for a long while. I felt like the original weblog couple had split and that mattered, but no one was saying anything about it.

Hell, I even asked Shawn once, at a bar, on a Friday night, what he thought about it. Needless to say, he was a bit surprised at the subject of my query and mentioned that maybe once, in passing, he had noticed that they seemed to be separated. And so I gave up thinking about it, assuming things were done and that was that. Then, last fall, they suddenly started talking like they were a couple again. And in November, Meg wrote that she and Jason were engaged.

Last week, they married here in NYC, and there are plenty of pictures to prove it (taken by Eliot Shepard, which adds to the whole thing if you ask me). This post is horrifying, I know, but I felt like I needed to record my feelings on the subject, so here they are: I'm really happy it worked out for them and I wish them the best of luck. Internet and weblogs aside, it comes down to the simple fact that I got a chance to watch these people the past few years and it's nice to know there's a happy ending there. Relationships are hard and life is hard, and it's all hard and for something like this to happen and to work is good shit, to put it plainly.

I'm such a little girl.


Now that I've been using the screenplay bundle for TextMate for a while, I've gotten used to it and I must say, I truly love it. The only issue I've had was the theme's colors, which I didn't like very much. And, since I can obsess on these things, I created my own theme for the bundle and have been tweaking it over the past few days as I've worked with it. I think it's good now.

If you'd like to, you may download my theme for the screenplay plugin. Just open it and TextMate will open and accept it.


Wow, surprisingly, after many months of not winning, finally, today, I won on Blingo via Shawn. Granted, it's only a movie ticket, but still—wahoo! It's funny that with all the different people who signed up as my friend, Shawn would be the first winner.

Now I'll just sit back and wait for Shawn to win an iPod nano...


A few choice photos from Katia's 25th birthday party. You can find more photos in Katia's birthday set on Flickr. For her birthday, I gave her a Canon SD450 and a Flickr pro account, she seems to like them both. The party was a success—Katia passed out a quiz (about her) and, much to my surprise, everyone immediately began answering the questions. I told Katia before the party, "If you give out a quiz, people will leave." I was definitely wrong. I've never seen twenty people in a bar taking a quiz so seriously before. It was good fun.


I've received a lot of email since my post about Oliver Taylor's screenwriting bundle for TextMate yesterday, and almost all of it was about Celtx, an open-source, multi-platform screenwriting package. First, let me say that I was not aware of this package before yesterday, which is somewhat surprising since I've made an effort in the past to find alternatives to Final Draft and because I am the kind of person who is usually aware of such things. Nevertheless, it was news to me, so thanks to everyone who sent in info.

I downloaded the Celtx package and installed it, and my first thought was that it was too complicated. If you look at the feature tour, you'll see what I mean almost right away. Celtx has a sort of project management-esque layer to it, and I was immediately interested and frustrated by it. While I like the idea of keeping all of your related materials, planning and media together with your script as you develop it, I don't know that Celtx's way of achieving this is very well done. I may differ from other people in this regard, but I have a habit of planning too much and not writing enough. The fact that I had to create a project before I could start writing a script meant I had to think more about the project on a whole and, at the beginning of a script, that's a bad thing for me. Sometimes I just want to get right in there and start writing. Now, if you're the kind of person who plans the hell out of your projects before you start to write (e.g. you're the exact opposite of me (Shawn)), this might be really good news for you. Obviously, the TextMate solution has similar potential, since you can just create a project (a folder) and keep of your data together (which is what I do). The difference is that with TextMate (or even Final Draft), you don't have to start a project.

Furthermore, Celtx crams a lot of stuff into a single app. For instance, there is a calendar, prop list, tagging, notes, media browser, and more. That's a lot of stuff. Most of it is related to production far more than screenwriting, so I might suggest Celtx in that regard (in fact, unless I come across any real problems in the near future as I play around with it, consider this a recommendation) but, the unfortunate part is, I found the screenwriting aspect of the app to be quite weak and filled with the same kinds of bugs that Final Draft had. Start typing a simple script and you're immediately faced with lots of textual problems and tabbing nightmares. At one point, with a simple accidental press of tab, I ended up getting stuck in some sort of nightmare where my dialogue turned into action and my characters into sluglines, and I couldn't manage to repair the situation without deleting some text and selecting the rest and changing its type using the types select menu. That's a pain.

One cool feature Celtx has is its internet integration—you can backup and share your projects using their web services, although I haven't tested this so I can't vouch for it. It's also worth mentioning that while the Celtx app is free, they do plan to charge for the web services they provide (see "If you're giving Celtx away for free, how do you make money?" on the FAQ page at the Celtx website). How much and when they'll start, I don't know. It would be nice to have a simple way to share projects like this, as Shawn and I constantly do, but I don't know if this system is the best for it anyway. The truth is, I don't know if there's a really solid way to collaborate on a script at the same time anyway, so all of this might be moot. But again, for producers, sharing a single project that contains all of your production details like this would be nice, although I don't see any reason you couldn't just share your Celtx project files using your .Mac account or even just FTP or email.

Obviously, this all boils down to personal use and for me, it's critically important that I have a simple way to write in screenplay format. Nothing else really matters to me, because the rest comes easy. Planning shooting and managing media—there are already good systems in place for those things (say, for instance, iCal, my mobile phone, Finder and hard drives), and I don't think a screenwriting app should have these features. Or at least, if they do, the screenwriting parts of the application should be rock solid, which, in the case of FD and Celtx, they're not. Oliver Taylor's TextMate bundle is extremely simple, but that's exactly what I need for writing. Last night I created a new user on my PowerBook with the following features: Safari, iChat and TextMate. I turned everything else off. I opened TextMate and started writing. And you know what? I actually wrote.


I can't tell you how excited I am about Oliver Taylor's screenwriting bundle for TextMate. For the past few years I've mentioned over and over to Shawn that I wanted to write a screenwriting app for OS X that would be simple and easy to use and, unlike Final Draft, work well without a huge list of bugs. The truth is, I just never had the time or the energy to make it happen (or the know-how?) and so, like almost everyone else, I've suffered along using FD. Until today. Oliver's bundle for TextMate is nearly exactly what I was looking for. Actually, it's more. Not only does it make writing in screenplay format simple and easy, but it's also in TextMate, which is basically my favorite application in the world.

Things like this make me so happy. When I first tried TextMate, it was so good it made me want to start coding something right that second. And now, with this bundle, I want to start writing scripts again right this second. I downloaded it, played around for a few minutes and realized I will never look at FD again, except to export all my current and previous scripts so that I can take them into TextMate.

There's more good news. As soon as I saw this bundle I realized that now I can have real script versioning with Subversion. Imagine being able to run a diff on a script's first draft compared to its second, rather than just having a mental log of changes you made (or FD's extremely simple and flimsy revisions mode asterisks). You could track every version of a script, every change, revert, go back, everything that svn supports because these scripts will now be in simple, plain text.

A few issues remain with this bundle. The biggest one is the lack of page numbers when you're working in TextMate. It won't be a real issue at first, when you're just writing, but once you get into modifications and later drafts, it might be a pain to take changes from a printed and marked-up version of the script and apply them to the electronic version because you won't have page numbers to go by. But, the truth is, everything else outweighs this issue so much that I'm not that concerned. It would be nice to figure this out, though. The other issue is more a TextMate thing—I wish you could specify different themes for different languages. For instance, the screenplay theme that Oliver created is nice, but I wouldn't use it for code (which I do a lot of in TextMate as well), so it would be nice if the theme could change based on which language you've selected.

All in all, this is a great, great thing for people who write screenplays (and use Macs).



I'm guessing that when BMW releases their first car with automatic parallel parking, it will usher in a whole new kind of auto insurance. You'll have to specify whether or not you know if anyone in your area has this technology, so that they can insure your car for even more money because—let's face it—this system is going to cause some serious problems.

You know how most people can't use computers? And how most people drive like shit? And how they can't follow directions? Yeah, combine all of that and call it "automatic parallel parking." I'll call it "automatic smashing the shit out of two cars every time you park."


I've used the subway systems in London (Underground) and Tokyo (Metro), but neither have nearly the amount of insane people as New York City. I'm not talking about the casually insane people, the people who smell strange and look crazy, I'm talking about the insane people who scream at themselves the entire ride.

I asked Katia once why NYC had so many people riding the subway and buses who were clearly in need of serious medical and psychiatric attention, but why this wasn't really the case in London and Tokyo. She thinks it has to do with the fact that in NYC, there just isn't enough help for these people, but in other places there might be. I'm honestly not sure what the problem is, but it is definitely a problem.

This morning on the subway I listened to a man scream at himself in Spanish for twenty minutes, all the while filling the car with the smell of his own urine. The unfortunate thing is that I didn't really have a choice—I had to stay in the car because the L train's service is so poor lately that if I didn't get on that train I would have been really late to work (and the other cars were packed). I kept wondering how long you can stand in a place filled with the stench of urine before you start to smell like it yourself. I imagined getting to work and walking into a meeting and people yelling out, "Good god! Have you pissed yourself? This meeting is adjourned on the grounds of stench!"

That didn't happen, but it could have.


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This honestly means nothing.


Since I'm heavily considering purchasing a new MacBook Pro, I've been keeping up with reviews and thoughts I've come across in the last few days.

After my initial post on the MacBook Pro, I received several emails from readers asking me to let them know what I learned, or at least post about it. Consider this that post, ongoing. Links to MacBook Pro-related news and information, as well as my periodic thoughts on the subject:

  • From before the MacBook Pros shipped, Dan Frakes compared prices of a MacBook Pro and a Dell Inspiron 9400 for Macworld. The result? The MacBook Pro is accurately priced for its features.
  • Also from Macworld, the Jason Snell's initial thoughts on the machine after a few days' use and his official review (4 out of 5 mice).
  • Another review from Jacqui Cheng at Ars Technica (8 out of 10).
  • David Pogue's review from the New York Times (no rating, but Pogue writes in his conclusion, "Over all, the MacBook Pro is a beautifully engineered machine. If it's not the world's finest, it's darned close.")
  • New LEDs in MacBook Pro seem brighter than before, according to ZDNet, but Daniel Jalkut disagrees. I think a lot of this is subjective, but either way—this doesn't seem to be a bad thing in either case.
  • Quality issues with the right speaker of MacBook Pros? Chris Liscio (who writes acoustic measurement software) has a test case online. Seems that a decent amount of people are experiencing this, as evidenced by a thread on Apple Discussions. Sounds like (hah!) this might be a software issue, since people have noted that the volume control also seems wonky. Apparently, the distortion can be killed on some MBPs by turning the camera on (more at macosxhints.com).
  • NotebookReview has a review and value proposition available.
  • PC Magazine's review of the MBP (4 out of 5... uh, dots).
  • DHH on the MacBook Pro. He ordered with the upgraded processor and HDD (which I'm considering)—has says it's fast. Very fast.
  • Rob Williams on the MacBook Pro: "It's like having a G5 laptop. Apple says 4x over the G4. I was kind of skeptical about that. Not anymore."
  • Matt Raible says his MBP is "faster than my dual-core AMD 64 desktop machine and that has 3GB of RAM." (Emphasis his.)
  • Geekbench comparison of the MBP to a recent PowerBook G4.
  • Ben Skelton complains about a bad fan in his MacBook Pro that's causing hissing and loud noise. He also complains that the MagSafe connector is too strong—that it doesn't release when tugged on—which is contrary to Jacqui Cheng's review at Ars Technica where she notes that the MagSafe connector is too weak.
  • Walt Mossberg reviews the MacBook Pro. He's not entirely thrilled with the machine: "The MacBook Pro isn't revolutionary, but it's a promising start to the era of Intel-powered Apple laptops." He also complains that it's not as fast as it should be (which goes against most other reports).
  • Personal Computer World review (4 out of 5 stars). Their biggest complaint is the wait for UniBinary versions of all software.
  • Tim Pokorny says his MBP is hot, hotter than his 12-inch PowerBook used to be. He mentions that the MBP is much cooler when running on battery power, but that the Intel machines do not have a way to control processor performance levels ("highest", "automatic", "reduced"). Interesting. John Gruber told me that his PowerBook G4 doesn't have these options either, which is strange. When did Apple remove this? All of my machines, including my Quad and my PowerBook G4 have this option.
  • CNet's review (6.9 out of 10), full of seemingly unreasonable complaints such as: "lacks media card reader" and "higher-end configurations are much more expensive than their PC equivalents." Frankly, I don't want a media card reader on my notebook computer—do you? And also, complaining about expenses for very high-end machines seems moot to me.
  • OWC shows you how to take apart your MacBook Pro and swap out the optical drive, add RAM, etc. All in video form. Be careful!
  • Pre-order your MacBook Pro from Amazon and you can save up to $189. There's a $150 mail-in rebate, and, with Amazon's new A9.com tie-in, by registering with and using A9.com "for a few days," you save an additional 1.57% (which on the MBP is about $39).
  • As of March 6, the shipping estimate for a MacBook Pro has dropped from 3-4 weeks to 2-3 weeks.
  • Further update on the MBP speaker problem from Chris Liscio: it's a hardware issue and it's not solvable.
  • MagSafe connector not so safe after all? Maybe. I dunno. I've heard the reason this happened is that the connection got wet. Hopefully, this is a fluke.
  • As of March 20, the shipping estimate for a MacBook Pro has dropped from 2-3 weeks to 7-10 business days. Wahoo!
  • Run WindowsXP on your MacBook Pro.
  • Seems like a lot of people are having CPU noise on their MacBook Pros. Daniel Jalkut wrote about it a few times, and Scott Stevenson detailed his thoughts on the issue. Not good. Although, I should mention that, until I got my Quad, I was having the same issue with my Dual-2GHz G5. Daniel mentions his experience with the same system in his first post, and says he used the CHUD tools to disable CPU napping (me too). It seems like Apple can't seem to get multi-processor or multi-core systems to stop making little chirping sounds. Very strange.
  • As of March 27, the shipping estimate for a MacBook Pro has dropped from 7-10 business days to 1-2 business days. Looks like Apple has overcome the supply/demand issues. I assume in the near future that we'll see a 24-hour shipping timeframe.
  • Some build timings of BBEdit on the MacBook Pro from Rich Siegel. Siegel notes that when the MBP has a full compliment of RAM, that sucker is fast.
  • Bare Feats compares the two MBP hard drive options: 5,400 RPM versus 7,200 RMP. Interesting outcome—the 7,200 RPM drive isn't really any faster for average random reads (but is obviously better for large sustained reads like video, et cetera).
  • As of April 12, the shipping estimate for a MacBook Pro is 24 hours.
  • Apparently, Apple seems to have revised the MacBook Pro and is not shipping revisions, Daily Tech claims. Good news for future buyers, bad news for people who have the Rev A MBP with issues.
  • Obviously, everyone has heard about Boot Camp (dual-boot XP), and Parallels Workstation (virtual XP) by now. Related to Boot Camp, check out Battlefield 2 running on a MBP and, of course, Half-Life 2 (HL2 running on an Intel iMac, but still). Oh, and someone got Windows Vista to load on a MBP as well.
  • From Macworld, here are some XP-on-Mac benchmarks.

Creating a new episode of the podcast every week is very difficult. After four weeks in a row, I realized that the only way I would be able to continue doing the podcast was if I spread the episodes out a little more, so we're switching to a bi-weekly schedule.

Content is, of course, king, and trying to cram in an episode every week starts to take down the quality of content over time. Aside from that, it's a lot of work. We tend to record an hour of audio and then I have to edit it down—which can take several hours—and then I have to upload it, test it, update feeds, ping, et cetera. It's a lot. Especially every week.

So that's the plan. Bi-weekly from here on out. It will be better in the long-run. You have subscribed, haven't you?


Shawn:

So I assume you made it through the Apple event without buying anything?

How well I'm known. This recent Apple event wasn't anything special, but in the past, keynotes have been very dangerous to me and my money. I didn't buy anything announced yesterday, and I don't plan to (a Mac mini would be fun for a media server, but it just isn't necessary for me right now).

I am, however, planning on buying a MacBook Pro in the near future, to replace my two-year-old PowerBook G4. I have a 1GHz model and it's starting to feel a little slow. I've been waiting to read more reviews and see how people like them—buying a revision A product from Apple is usually dangerous (and I do it frequently)—especially people who have upgraded the hard drive to 7200 RPM and people who have opted for the processor upgrades.

When I asked Shawn if it sounded silly to buy a new notebook, he said:

Once you bought the Quad, you sort of set the precident of no longer needing to justify any computer spending.

I guess I would agree with that. While purchasing a new MacBook Pro to replace a two-year-old PowerBook G4 is less insane than buying a Quad to replace a Dual-2GHz G5, I have sort of set a bar that will be hard to raise.

If you have a MacBook Pro, I'd love to hear your thoughts on the machine. Oh, and in case you're wondering—I still hate the name MacBook Pro.


Had the third improv show on Monday this week after finishing up the third level at the UCB. Two more classes and I can legitimately claim that I'm a trained improvisor.

The show went really well. I'm always much better at what I do when there's an audience; I had terrible practice shows in class the whole time, but the second there was a real (albeit small) audience, I suddenly felt much more comfortable and funny.


I need to build future posting into this system so that I can write stuff and have it auto-publish and ping and such at a certain time, because I go in these ridiculous bursts where I want to write ten entries at once but don't want to spam the site all at the same time. The other side of this is that if I don't post all ten, I forget about them and never get to it. Future posting would solve this.